Study on the Self Growth of the Protagonist Xiao Qing in White Snake 2: The Robbery of the Green Snake from Feminism

Xu Jiang

doi:doi:10.11648/j.ellc.20220701.12

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Study on the Self Growth of the Protagonist Xiao Qing in White Snake 2: The Robbery of the Green Snake from Feminism

Xu Jiang

Published in English Language, Literature & Culture (Volume 7, Issue 1)

Received: 24 January 2022 Accepted: 9 February 2022 Published: 16 February 2022

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Abstract

Films reflect human social life, meet people's spiritual needs, and are closely related to human social life. The same is true of animated films. Judging from the animated films released in China in recent years, "White Snake 2: the robbery of the green snake" is a fantastic and magnificent new story in the new era, endowing Chinese animation with a new soul and unique artistic charm. This paper takes the heroine Xiao Qing in the Chinese animation White Snake 2: the robbery of the green snake as the research object, and discusses the self-growth of the heroine Xiao Qing in white snake 2 from feminism. Although the film has many deficiencies in script design, script rhythm and characterization. However, the true and sincere independent female characters expressed in the film urge people to think in multiple ways. That is, how women can grow under the influence of feminism. Moreover, not only the self growth path of Xiaoqing discussed in this paper, the help of other female characters to Xiaoqing on the growth path of Xiaoqing, the growth of other characters themselves, and the direct and sincere sisterhood of green snake and white snake will cause extensive discussion and bring moving tears. In short, the changing female roles in animated films reflect women's right to live and strive for social equality and justice, fully reflect the progress of society and the continuous change of people's consciousness, and are conducive to the improvement of social civilization.

Published in	English Language, Literature & Culture (Volume 7, Issue 1)
DOI	10.11648/j.ellc.20220701.12
Page(s)	7-11
Creative Commons	This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.
Copyright	Copyright © The Author(s), 2022. Published by Science Publishing Group

Keywords

Animated Film, Feminism, Female Character, Self Growth

References

[1]	Rujuan X. A study on the film adaptation of the legend of the white snake -- Taking the legend of the White Snake and the White Snake: origin as an example [J]. Western Radio and Television, 2020, 6: 101-103.
[2]	Zhen Li. Modern animated film expression of the legend of the White Snake [J]. Journal of Culture, 2020, 5: 132-134.
[3]	Gaowa W. Reconstruction of Folk Literature -- Taking the film legend of the white snake as an example [J]. China After School Education, 2017, 1: 65-71.
[4]	Hao S. Classic and science fiction: the aesthetic struggle of the animated film "White Snake Trilogy" [J]. Radio & TV Journal, 2021, 11: 104-105.
[5]	Sihan Z. and Junquan W. On the narrative of the domestic animated film "the green snake" [J]. Shanhaijing: the Frontier of Education, 2021, 36: 2-4.
[6]	Zhuocheng R. and Wei L. A study on the narrative strategy of the animated film white snake 2: the robbery of the green snake [J]. Global Premiere, 2021, 8: 2-3.
[7]	Zhaiying X. Innovation and return -- on the creative strategy of white snake 2: the robbery of the green snake [J]. Art Science and Technology, 2021, 34 (17): 104-106.
[8]	Kehong C. Green snake: feminism, gender conflict and identity anxiety. Film Art, 2021, 5: 65-68.
[9]	Jiakang H. Genre exploration and production system construction of Chinese animated films [J]. Flim Art, 2021, 5: 77-83.
[10]	Ting L. and Zijian L. On the application of art elements in the narration of the film White Snake: origin [J]. Beauty & Times, 2019, 8: 112-114.
[11]	Hua Z. Viewing the multi-level perception of film space scene design from the legend of the White Snake [J]. Movie Review, 2016, 534 (4): 116-118.

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Xu Jiang. (2022). Study on the Self Growth of the Protagonist Xiao Qing in White Snake 2: The Robbery of the Green Snake from Feminism. English Language, Literature & Culture, 7(1), 7-11. https://doi.org/10.11648/j.ellc.20220701.12

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ACS Style

Xu Jiang. Study on the Self Growth of the Protagonist Xiao Qing in White Snake 2: The Robbery of the Green Snake from Feminism. Engl. Lang. Lit. Cult. 2022, 7(1), 7-11. doi: 10.11648/j.ellc.20220701.12

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AMA Style

Xu Jiang. Study on the Self Growth of the Protagonist Xiao Qing in White Snake 2: The Robbery of the Green Snake from Feminism. Engl Lang Lit Cult. 2022;7(1):7-11. doi: 10.11648/j.ellc.20220701.12

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@article{10.11648/j.ellc.20220701.12,
  author = {Xu Jiang},
  title = {Study on the Self Growth of the Protagonist Xiao Qing in White Snake 2: The Robbery of the Green Snake from Feminism},
  journal = {English Language, Literature & Culture},
  volume = {7},
  number = {1},
  pages = {7-11},
  doi = {10.11648/j.ellc.20220701.12},
  url = {https://doi.org/10.11648/j.ellc.20220701.12},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ellc.20220701.12},
  abstract = {Films reflect human social life, meet people's spiritual needs, and are closely related to human social life. The same is true of animated films. Judging from the animated films released in China in recent years, "White Snake 2: the robbery of the green snake" is a fantastic and magnificent new story in the new era, endowing Chinese animation with a new soul and unique artistic charm. This paper takes the heroine Xiao Qing in the Chinese animation White Snake 2: the robbery of the green snake as the research object, and discusses the self-growth of the heroine Xiao Qing in white snake 2 from feminism. Although the film has many deficiencies in script design, script rhythm and characterization. However, the true and sincere independent female characters expressed in the film urge people to think in multiple ways. That is, how women can grow under the influence of feminism. Moreover, not only the self growth path of Xiaoqing discussed in this paper, the help of other female characters to Xiaoqing on the growth path of Xiaoqing, the growth of other characters themselves, and the direct and sincere sisterhood of green snake and white snake will cause extensive discussion and bring moving tears. In short, the changing female roles in animated films reflect women's right to live and strive for social equality and justice, fully reflect the progress of society and the continuous change of people's consciousness, and are conducive to the improvement of social civilization.},
 year = {2022}
}

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TY  - JOUR
T1  - Study on the Self Growth of the Protagonist Xiao Qing in White Snake 2: The Robbery of the Green Snake from Feminism
AU  - Xu Jiang
Y1  - 2022/02/16
PY  - 2022
N1  - https://doi.org/10.11648/j.ellc.20220701.12
DO  - 10.11648/j.ellc.20220701.12
T2  - English Language, Literature & Culture
JF  - English Language, Literature & Culture
JO  - English Language, Literature & Culture
SP  - 7
EP  - 11
PB  - Science Publishing Group
SN  - 2575-2413
UR  - https://doi.org/10.11648/j.ellc.20220701.12
AB  - Films reflect human social life, meet people's spiritual needs, and are closely related to human social life. The same is true of animated films. Judging from the animated films released in China in recent years, "White Snake 2: the robbery of the green snake" is a fantastic and magnificent new story in the new era, endowing Chinese animation with a new soul and unique artistic charm. This paper takes the heroine Xiao Qing in the Chinese animation White Snake 2: the robbery of the green snake as the research object, and discusses the self-growth of the heroine Xiao Qing in white snake 2 from feminism. Although the film has many deficiencies in script design, script rhythm and characterization. However, the true and sincere independent female characters expressed in the film urge people to think in multiple ways. That is, how women can grow under the influence of feminism. Moreover, not only the self growth path of Xiaoqing discussed in this paper, the help of other female characters to Xiaoqing on the growth path of Xiaoqing, the growth of other characters themselves, and the direct and sincere sisterhood of green snake and white snake will cause extensive discussion and bring moving tears. In short, the changing female roles in animated films reflect women's right to live and strive for social equality and justice, fully reflect the progress of society and the continuous change of people's consciousness, and are conducive to the improvement of social civilization.
VL  - 7
IS  - 1
ER  -

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Author Information

Xu Jiang

School of Data Science and Computer, Shandong Women’s University, Jinan, China

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Plain Text BibTeX RIS

APA Style

Xu Jiang. (2022). Study on the Self Growth of the Protagonist Xiao Qing in White Snake 2: The Robbery of the Green Snake from Feminism. English Language, Literature & Culture, 7(1), 7-11. https://doi.org/10.11648/j.ellc.20220701.12

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ACS Style

Xu Jiang. Study on the Self Growth of the Protagonist Xiao Qing in White Snake 2: The Robbery of the Green Snake from Feminism. Engl. Lang. Lit. Cult. 2022, 7(1), 7-11. doi: 10.11648/j.ellc.20220701.12

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AMA Style

Xu Jiang. Study on the Self Growth of the Protagonist Xiao Qing in White Snake 2: The Robbery of the Green Snake from Feminism. Engl Lang Lit Cult. 2022;7(1):7-11. doi: 10.11648/j.ellc.20220701.12

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@article{10.11648/j.ellc.20220701.12,
  author = {Xu Jiang},
  title = {Study on the Self Growth of the Protagonist Xiao Qing in White Snake 2: The Robbery of the Green Snake from Feminism},
  journal = {English Language, Literature & Culture},
  volume = {7},
  number = {1},
  pages = {7-11},
  doi = {10.11648/j.ellc.20220701.12},
  url = {https://doi.org/10.11648/j.ellc.20220701.12},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ellc.20220701.12},
  abstract = {Films reflect human social life, meet people's spiritual needs, and are closely related to human social life. The same is true of animated films. Judging from the animated films released in China in recent years, "White Snake 2: the robbery of the green snake" is a fantastic and magnificent new story in the new era, endowing Chinese animation with a new soul and unique artistic charm. This paper takes the heroine Xiao Qing in the Chinese animation White Snake 2: the robbery of the green snake as the research object, and discusses the self-growth of the heroine Xiao Qing in white snake 2 from feminism. Although the film has many deficiencies in script design, script rhythm and characterization. However, the true and sincere independent female characters expressed in the film urge people to think in multiple ways. That is, how women can grow under the influence of feminism. Moreover, not only the self growth path of Xiaoqing discussed in this paper, the help of other female characters to Xiaoqing on the growth path of Xiaoqing, the growth of other characters themselves, and the direct and sincere sisterhood of green snake and white snake will cause extensive discussion and bring moving tears. In short, the changing female roles in animated films reflect women's right to live and strive for social equality and justice, fully reflect the progress of society and the continuous change of people's consciousness, and are conducive to the improvement of social civilization.},
 year = {2022}
}

Copy | Download

TY  - JOUR
T1  - Study on the Self Growth of the Protagonist Xiao Qing in White Snake 2: The Robbery of the Green Snake from Feminism
AU  - Xu Jiang
Y1  - 2022/02/16
PY  - 2022
N1  - https://doi.org/10.11648/j.ellc.20220701.12
DO  - 10.11648/j.ellc.20220701.12
T2  - English Language, Literature & Culture
JF  - English Language, Literature & Culture
JO  - English Language, Literature & Culture
SP  - 7
EP  - 11
PB  - Science Publishing Group
SN  - 2575-2413
UR  - https://doi.org/10.11648/j.ellc.20220701.12
AB  - Films reflect human social life, meet people's spiritual needs, and are closely related to human social life. The same is true of animated films. Judging from the animated films released in China in recent years, "White Snake 2: the robbery of the green snake" is a fantastic and magnificent new story in the new era, endowing Chinese animation with a new soul and unique artistic charm. This paper takes the heroine Xiao Qing in the Chinese animation White Snake 2: the robbery of the green snake as the research object, and discusses the self-growth of the heroine Xiao Qing in white snake 2 from feminism. Although the film has many deficiencies in script design, script rhythm and characterization. However, the true and sincere independent female characters expressed in the film urge people to think in multiple ways. That is, how women can grow under the influence of feminism. Moreover, not only the self growth path of Xiaoqing discussed in this paper, the help of other female characters to Xiaoqing on the growth path of Xiaoqing, the growth of other characters themselves, and the direct and sincere sisterhood of green snake and white snake will cause extensive discussion and bring moving tears. In short, the changing female roles in animated films reflect women's right to live and strive for social equality and justice, fully reflect the progress of society and the continuous change of people's consciousness, and are conducive to the improvement of social civilization.
VL  - 7
IS  - 1
ER  -

Copy | Download