A Dialogue Between Human Beings and Gods Integrating Religion & Folk Customs & Art——A Brief Analysis of Gan Nuo Folk Customs and Dialect Vulgarisms

Xiao Jiugen; Xiong Lingjun

doi:doi:10.11648/j.si.20200804.12

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A Dialogue Between Human Beings and Gods Integrating Religion & Folk Customs & Art——A Brief Analysis of Gan Nuo Folk Customs and Dialect Vulgarisms

Xiao Jiugen, Xiong Lingjun

Published in Science Innovation (Volume 8, Issue 4)

Received: 8 April 2020 Published: 29 June 2020

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Abstract

Gan Nuo folk culture has a long history, rich content and far-reaching influence. According to archaeological findings, this folk culture originates from the Shang and Zhou Dynasties or even earlier ancient times. It is a form of primitive folk customs integrating religion, folk customs and art as a mode of dialogue between human beings and gods. With the rapid development of social history, the innovation of people's concepts, the contents of Gan Nuo also has changed a lot, adding new elements of modern culture and developing towards the direction of popular, life-oriented and entertaining, and even to service in Gan Po the development of economy, trade and industry, to show its unique artistic charm. It is no exaggeration to say that the folk culture of Gan Nuo is not only an important part of the culture in Gan Po, but also the "living fossil" of China's primitive opera and dance. In the process of its development, a large number of dialects and vulgarisms reflecting Nuo customs have also sprang up with rich and colorful contents. These dialects and vulgarity have very distinct regional characteristics, either to present the sacrificial ceremony, or to present the nuo drama art, or to present the folk customs. Currently, we should not only tap and use this national intangible cultural heritage such as Gan Nuo efficiently, but also protect and develop them to inject new vitality into them in the course of promoting ethical progress in the new era.

Published in	Science Innovation (Volume 8, Issue 4)
DOI	10.11648/j.si.20200804.12
Page(s)	91-96
Creative Commons	This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.
Copyright	Copyright © The Author(s), 2020. Published by Science Publishing Group

Keywords

Gan Nuo Folk Culture, Dialogue Between Human Beings and Gods, Living Fossils, Dialects and Vulgarisms, National Intangible Cultural Heritage

References

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[15]	曾志巩.江西南丰傩文化[M].南昌：江西人民出版社，2014.

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Xiao Jiugen, Xiong Lingjun. (2020). A Dialogue Between Human Beings and Gods Integrating Religion & Folk Customs & Art——A Brief Analysis of Gan Nuo Folk Customs and Dialect Vulgarisms. Science Innovation, 8(4), 91-96. https://doi.org/10.11648/j.si.20200804.12

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ACS Style

Xiao Jiugen; Xiong Lingjun. A Dialogue Between Human Beings and Gods Integrating Religion & Folk Customs & Art——A Brief Analysis of Gan Nuo Folk Customs and Dialect Vulgarisms. Sci. Innov. 2020, 8(4), 91-96. doi: 10.11648/j.si.20200804.12

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AMA Style

Xiao Jiugen, Xiong Lingjun. A Dialogue Between Human Beings and Gods Integrating Religion & Folk Customs & Art——A Brief Analysis of Gan Nuo Folk Customs and Dialect Vulgarisms. Sci Innov. 2020;8(4):91-96. doi: 10.11648/j.si.20200804.12

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@article{10.11648/j.si.20200804.12,
  author = {Xiao Jiugen and Xiong Lingjun},
  title = {A Dialogue Between Human Beings and Gods Integrating Religion & Folk Customs & Art——A Brief Analysis of Gan Nuo Folk Customs and Dialect Vulgarisms},
  journal = {Science Innovation},
  volume = {8},
  number = {4},
  pages = {91-96},
  doi = {10.11648/j.si.20200804.12},
  url = {https://doi.org/10.11648/j.si.20200804.12},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.si.20200804.12},
  abstract = {Gan Nuo folk culture has a long history, rich content and far-reaching influence. According to archaeological findings, this folk culture originates from the Shang and Zhou Dynasties or even earlier ancient times. It is a form of primitive folk  customs integrating religion, folk customs and art as a mode of dialogue between human beings and gods. With the rapid development of social history, the innovation of people's concepts, the contents of Gan Nuo also has changed a lot, adding new elements of modern culture and developing towards the direction of popular, life-oriented and entertaining, and even to service in Gan Po the development of economy, trade and industry, to show its unique artistic charm. It is no exaggeration to say that the folk culture of Gan Nuo is not only an important part of the culture in Gan Po, but also the "living fossil" of China's primitive opera and dance. In the process of its development, a large number of dialects and vulgarisms reflecting Nuo customs have also sprang up with rich and colorful contents. These dialects and vulgarity have very distinct regional characteristics, either to present the sacrificial ceremony, or to present the nuo drama art, or to present the folk customs. Currently, we should not only tap and use this national intangible cultural heritage such as Gan Nuo efficiently, but also protect and develop them to inject new vitality into them in the course of promoting ethical progress in the new era.},
 year = {2020}
}

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TY  - JOUR
T1  - A Dialogue Between Human Beings and Gods Integrating Religion & Folk Customs & Art——A Brief Analysis of Gan Nuo Folk Customs and Dialect Vulgarisms
AU  - Xiao Jiugen
AU  - Xiong Lingjun
Y1  - 2020/06/29
PY  - 2020
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DO  - 10.11648/j.si.20200804.12
T2  - Science Innovation
JF  - Science Innovation
JO  - Science Innovation
SP  - 91
EP  - 96
PB  - Science Publishing Group
SN  - 2328-787X
UR  - https://doi.org/10.11648/j.si.20200804.12
AB  - Gan Nuo folk culture has a long history, rich content and far-reaching influence. According to archaeological findings, this folk culture originates from the Shang and Zhou Dynasties or even earlier ancient times. It is a form of primitive folk  customs integrating religion, folk customs and art as a mode of dialogue between human beings and gods. With the rapid development of social history, the innovation of people's concepts, the contents of Gan Nuo also has changed a lot, adding new elements of modern culture and developing towards the direction of popular, life-oriented and entertaining, and even to service in Gan Po the development of economy, trade and industry, to show its unique artistic charm. It is no exaggeration to say that the folk culture of Gan Nuo is not only an important part of the culture in Gan Po, but also the "living fossil" of China's primitive opera and dance. In the process of its development, a large number of dialects and vulgarisms reflecting Nuo customs have also sprang up with rich and colorful contents. These dialects and vulgarity have very distinct regional characteristics, either to present the sacrificial ceremony, or to present the nuo drama art, or to present the folk customs. Currently, we should not only tap and use this national intangible cultural heritage such as Gan Nuo efficiently, but also protect and develop them to inject new vitality into them in the course of promoting ethical progress in the new era.
VL  - 8
IS  - 4
ER  -

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Author Information

Xiao Jiugen

Research Center of Language and Language Life, Jiangxi Normal University, Nanchang, China
Xiong Lingjun

Jiangxi Modern Polytechnic College, Nanchang, China

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APA Style

Xiao Jiugen, Xiong Lingjun. (2020). A Dialogue Between Human Beings and Gods Integrating Religion & Folk Customs & Art——A Brief Analysis of Gan Nuo Folk Customs and Dialect Vulgarisms. Science Innovation, 8(4), 91-96. https://doi.org/10.11648/j.si.20200804.12

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ACS Style

Xiao Jiugen; Xiong Lingjun. A Dialogue Between Human Beings and Gods Integrating Religion & Folk Customs & Art——A Brief Analysis of Gan Nuo Folk Customs and Dialect Vulgarisms. Sci. Innov. 2020, 8(4), 91-96. doi: 10.11648/j.si.20200804.12

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AMA Style

Xiao Jiugen, Xiong Lingjun. A Dialogue Between Human Beings and Gods Integrating Religion & Folk Customs & Art——A Brief Analysis of Gan Nuo Folk Customs and Dialect Vulgarisms. Sci Innov. 2020;8(4):91-96. doi: 10.11648/j.si.20200804.12

Copy | Download

@article{10.11648/j.si.20200804.12,
  author = {Xiao Jiugen and Xiong Lingjun},
  title = {A Dialogue Between Human Beings and Gods Integrating Religion & Folk Customs & Art——A Brief Analysis of Gan Nuo Folk Customs and Dialect Vulgarisms},
  journal = {Science Innovation},
  volume = {8},
  number = {4},
  pages = {91-96},
  doi = {10.11648/j.si.20200804.12},
  url = {https://doi.org/10.11648/j.si.20200804.12},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.si.20200804.12},
  abstract = {Gan Nuo folk culture has a long history, rich content and far-reaching influence. According to archaeological findings, this folk culture originates from the Shang and Zhou Dynasties or even earlier ancient times. It is a form of primitive folk  customs integrating religion, folk customs and art as a mode of dialogue between human beings and gods. With the rapid development of social history, the innovation of people's concepts, the contents of Gan Nuo also has changed a lot, adding new elements of modern culture and developing towards the direction of popular, life-oriented and entertaining, and even to service in Gan Po the development of economy, trade and industry, to show its unique artistic charm. It is no exaggeration to say that the folk culture of Gan Nuo is not only an important part of the culture in Gan Po, but also the "living fossil" of China's primitive opera and dance. In the process of its development, a large number of dialects and vulgarisms reflecting Nuo customs have also sprang up with rich and colorful contents. These dialects and vulgarity have very distinct regional characteristics, either to present the sacrificial ceremony, or to present the nuo drama art, or to present the folk customs. Currently, we should not only tap and use this national intangible cultural heritage such as Gan Nuo efficiently, but also protect and develop them to inject new vitality into them in the course of promoting ethical progress in the new era.},
 year = {2020}
}

Copy | Download

TY  - JOUR
T1  - A Dialogue Between Human Beings and Gods Integrating Religion & Folk Customs & Art——A Brief Analysis of Gan Nuo Folk Customs and Dialect Vulgarisms
AU  - Xiao Jiugen
AU  - Xiong Lingjun
Y1  - 2020/06/29
PY  - 2020
N1  - https://doi.org/10.11648/j.si.20200804.12
DO  - 10.11648/j.si.20200804.12
T2  - Science Innovation
JF  - Science Innovation
JO  - Science Innovation
SP  - 91
EP  - 96
PB  - Science Publishing Group
SN  - 2328-787X
UR  - https://doi.org/10.11648/j.si.20200804.12
AB  - Gan Nuo folk culture has a long history, rich content and far-reaching influence. According to archaeological findings, this folk culture originates from the Shang and Zhou Dynasties or even earlier ancient times. It is a form of primitive folk  customs integrating religion, folk customs and art as a mode of dialogue between human beings and gods. With the rapid development of social history, the innovation of people's concepts, the contents of Gan Nuo also has changed a lot, adding new elements of modern culture and developing towards the direction of popular, life-oriented and entertaining, and even to service in Gan Po the development of economy, trade and industry, to show its unique artistic charm. It is no exaggeration to say that the folk culture of Gan Nuo is not only an important part of the culture in Gan Po, but also the "living fossil" of China's primitive opera and dance. In the process of its development, a large number of dialects and vulgarisms reflecting Nuo customs have also sprang up with rich and colorful contents. These dialects and vulgarity have very distinct regional characteristics, either to present the sacrificial ceremony, or to present the nuo drama art, or to present the folk customs. Currently, we should not only tap and use this national intangible cultural heritage such as Gan Nuo efficiently, but also protect and develop them to inject new vitality into them in the course of promoting ethical progress in the new era.
VL  - 8
IS  - 4
ER  -

Copy | Download