Chinese Zodiac culture, as a crucial part of Chinese traditional cultures, is widely adopted by European luxury brands designers under the accelerating waves of globalization. It provides a glorious rising section for the culture connotation of luxury costumes and enhances the communication between eastern-western culture. This reconciliation also benefit for diminishing the potential PR crisis, and it takes into account the aesthetic needs of consumers containing different cultural background simultaneously.This essay aimed at the current atmosphere of European luxury brands which presenting Chinese culture by coalescing Chinese Zodiac portion in their ready-made products, the patterns that how Chinese zodiac elements are applied in these luxuries would be analyzed in this study according to two authentic research methods: relative literature analysis and design comparative approaches, mainly by three different dimensions which are multiple techniques of forming a pattern, various color application methods and appropriate character choosing skills from the aspect of visual communication, based on eight well-known Western fashion luxury brands that produced products emerging Chinese Zodiac elements from 2017 to 2019. Plus, it is important to point out that the essential purpose of approaching research is to provide a valid discussion and summary about the design framework of luxury brands series that relating to Chinese Zodiac elements.
Published in | Science Innovation (Volume 7, Issue 4) |
DOI | 10.11648/j.si.20190704.11 |
Page(s) | 110-114 |
Creative Commons |
This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited. |
Copyright |
Copyright © The Author(s), 2019. Published by Science Publishing Group |
Luxury Brand, Chinese Zodiac Culture, Visual Communication
[1] | 马方春.试论色彩、图形、文字在平面设计中的运用[J].艺术百家,2011,(z2);176-178。 |
[2] | 兰新成,陈宏伟.拼贴形式设计方法的深度解读[J].南京艺术学院学报(美术与设计版),2015,(6):143-146。 |
[3] | 万千个.拼贴手法在艺术领域中的运用[J].美术大观,2018,(9):54-55。 |
[4] | 林浩晗.招贴设计中的拼贴艺术[J].艺海,2017,(10):116-118。 |
[5] | 李萌.抽象造型语言在当代插画中的应用研究[J].戏剧之家,2018,(12):109-110。 |
[6] | 王美慧.视觉传达设计中的色彩运用[J].数码设计(下),2018,(11):186-187。 |
[7] | 刘燕.视觉传达设计中视觉元素的运用分析[J].包装世界,2019,(3):28,30。 |
[8] | 胡云青.“中国红”在现代艺术设计中的应用[D].河北:河北工业大学,2013。 |
[9] | 郑勇.汉语谐音修辞多维研究[D].安徽:安徽大学,2013。 |
[10] | 刘炜.略谈汉字"鸡"的谐音语用[J].现代语文(语言研究),2006,(1):38-39.DOI:10.3969/j.issn.1008-8024-C.2006.01.019。 |
[11] | 钟立生,陈丽东,邵逸清.试析生肖文化在中国的影响[J].知识经济,2013(20):39-41。 |
[12] | 曹琳.奢侈品品类创新的机制与案例研究[J].经济经纬,2013,(5):90-94。 |
[13] | 李楠.传统生肖元素的现代设计表达[J].服饰导刊,2013,2(04):76-80。 |
[14] | 袁淑芸.消费时代品牌文化中的审美价值——以奢侈品为例[J].经济研究导刊,2011(26):273-274+27。 |
[15] | 刘燕.视觉传达设计中视觉元素的运用分析[J].包装世界,2019,(3):28,30。 |
APA Style
Wang Siyu, Ning Jun. (2019). The Study of European Luxury Brands Use Chinese Zodiac Culture. Science Innovation, 7(4), 110-114. https://doi.org/10.11648/j.si.20190704.11
ACS Style
Wang Siyu; Ning Jun. The Study of European Luxury Brands Use Chinese Zodiac Culture. Sci. Innov. 2019, 7(4), 110-114. doi: 10.11648/j.si.20190704.11
AMA Style
Wang Siyu, Ning Jun. The Study of European Luxury Brands Use Chinese Zodiac Culture. Sci Innov. 2019;7(4):110-114. doi: 10.11648/j.si.20190704.11
@article{10.11648/j.si.20190704.11, author = {Wang Siyu and Ning Jun}, title = {The Study of European Luxury Brands Use Chinese Zodiac Culture}, journal = {Science Innovation}, volume = {7}, number = {4}, pages = {110-114}, doi = {10.11648/j.si.20190704.11}, url = {https://doi.org/10.11648/j.si.20190704.11}, eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.si.20190704.11}, abstract = {Chinese Zodiac culture, as a crucial part of Chinese traditional cultures, is widely adopted by European luxury brands designers under the accelerating waves of globalization. It provides a glorious rising section for the culture connotation of luxury costumes and enhances the communication between eastern-western culture. This reconciliation also benefit for diminishing the potential PR crisis, and it takes into account the aesthetic needs of consumers containing different cultural background simultaneously.This essay aimed at the current atmosphere of European luxury brands which presenting Chinese culture by coalescing Chinese Zodiac portion in their ready-made products, the patterns that how Chinese zodiac elements are applied in these luxuries would be analyzed in this study according to two authentic research methods: relative literature analysis and design comparative approaches, mainly by three different dimensions which are multiple techniques of forming a pattern, various color application methods and appropriate character choosing skills from the aspect of visual communication, based on eight well-known Western fashion luxury brands that produced products emerging Chinese Zodiac elements from 2017 to 2019. Plus, it is important to point out that the essential purpose of approaching research is to provide a valid discussion and summary about the design framework of luxury brands series that relating to Chinese Zodiac elements.}, year = {2019} }
TY - JOUR T1 - The Study of European Luxury Brands Use Chinese Zodiac Culture AU - Wang Siyu AU - Ning Jun Y1 - 2019/09/27 PY - 2019 N1 - https://doi.org/10.11648/j.si.20190704.11 DO - 10.11648/j.si.20190704.11 T2 - Science Innovation JF - Science Innovation JO - Science Innovation SP - 110 EP - 114 PB - Science Publishing Group SN - 2328-787X UR - https://doi.org/10.11648/j.si.20190704.11 AB - Chinese Zodiac culture, as a crucial part of Chinese traditional cultures, is widely adopted by European luxury brands designers under the accelerating waves of globalization. It provides a glorious rising section for the culture connotation of luxury costumes and enhances the communication between eastern-western culture. This reconciliation also benefit for diminishing the potential PR crisis, and it takes into account the aesthetic needs of consumers containing different cultural background simultaneously.This essay aimed at the current atmosphere of European luxury brands which presenting Chinese culture by coalescing Chinese Zodiac portion in their ready-made products, the patterns that how Chinese zodiac elements are applied in these luxuries would be analyzed in this study according to two authentic research methods: relative literature analysis and design comparative approaches, mainly by three different dimensions which are multiple techniques of forming a pattern, various color application methods and appropriate character choosing skills from the aspect of visual communication, based on eight well-known Western fashion luxury brands that produced products emerging Chinese Zodiac elements from 2017 to 2019. Plus, it is important to point out that the essential purpose of approaching research is to provide a valid discussion and summary about the design framework of luxury brands series that relating to Chinese Zodiac elements. VL - 7 IS - 4 ER -